The Group for Contemporary Music records document the function of an American chamber ensemble dedicated to the performance of contemporary classical music, dating from 1961 to 2012. The records consist of correspondence, photographs, programs, memoranda, schedules, meeting notes, clippings, contracts, bills, financial records, fund raising and grant applications, and so on.

The collection consists of correspondence, documents, clippings, music programs, photographs, scrapbooks, and memorabilia relating to the musical career of Hermann Dossenbach. Also present in the collection is Dossenbach's masonic Corinthian Temple Lodge pin.

Julius Rudel (1921-2014) was an opera and orchestra conductor who graduated from the Mannes School of Music in 1942. He served as music director for several organizations, most notably as director and principal conductor for New York City Opera from 1957 to 1979. The collection includes annotated conducting scores, notes, a scrapbook of news clippings, programs and playbills, correspondence, biographical material, and photographs.

Sylvia Marlowe (1908-1981) was an important mid-twentieth century American harpsichordist. The Sylvia Marlowe collection documents her performance career, predominantly through scores, many inscribed to her by composers. Additionally, photographs and textual publicity materials provide further context for Marlowe's performances and recordings.

Harpsichordist Sylvia Marlowe (1908-1981) contributed to popularizing harpsichord music and promoting new works for the harpsichord in the twentieth century. The collection includes personal correspondence, photographs, clippings and programs, contracts and wills, analog audio reels of important albums Marlowe recorded, and a set of scores of classical pieces set in contemporary popular arrangements composed for Marlowe. The collection also contains correspondence and documents relating to the Harpsichord Music Society (founded by Marlowe) and Kenneth Cooper, its director.