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Annie Laurie Williams records, 1922-1971

91 linear feet

Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

Constance Hope papers, 1931-1975

7.09 linear feet
The Constance Hope papers cover over 40 years of Hope's associations with hundreds of performers and chronicles her career in the field of artists' and commercial publicity.

Creative Music Studio Tapes and Files, 1974-1980

56.25 linear feet
Reel to reel tapes (599); cassettes (8); videotapes (3); and some files.

Daniel Gregory Mason papers, 1894-1953

35 linear feet

Manuscript materials which include correspondence, business papers, composition scrapbooks and musical scores; books; clippings; records; and photographs.

Dawn Powell papers, 1890s-2012, bulk 1890s-1965

40 linear feet
Dawn Powell (1896-1965) was an American author of novels, plays, and short stories. The collection includes address books, appointment books, books, clippings, correspondence, diaries, ephemera, family materials, manuscripts, notes, notebooks, photographs, programs, research files, reviews, scrapbooks, sketches and drawings.

Douglas Moore papers, 1883-2003, bulk 1907-1969

45 linear feet
Douglas Stuart Moore (1893-1969) was an American composer, educator, and author. His best known works include the operas The Devil and Daniel Webster (1937-1939), The Ballad of Baby Doe (1953-1956), and Giants in the Earth (1949-1950), which won the Pulitzer Prize for Music in 1951. The papers include clippings, correspondence, course and lecture materials, librettos, photographs, programs, publicity materials, recordings, and scores.

Edward H. Margetson Music Manuscripts, 1917-1962

1 linear feet

Manuscripts of musical scores, memorabilia and photograph. Folder 1 of the collection includes a general index (d. March 1945), photograph, awards, 5 citations, and a biographical sketch. His musical compositions (folders 2-26) are divided in three major categories: sacred and non-sacred vocal music, and musical compositions for instruments. His sacred choruses for mixed voices has been highly praised. His non-sacred vocal music seems to deal with children, nature, and poetic topics; also included are arrangements of Stephen Foster's songs for choruses. Among his musical compositions for instruments are some with Caribbean or West Indian themes

Edward MacDowell Papers, 1876-1964

3 Linear Feet

Letters and manuscripts of MacDowell. One group was written to Arthur P. Schmidt, his publisher during MacDowell's years as professor of music at Columbia University. These letters concern the publication and distribution of his compositions and his copyright difficulties with other firms, especially Brietkopf & Härtel. There are eight letters from MacDowell to the American pianist, composer, and pedagogue William Mason. This personal correspondence deals with such things as musical pieces dedicated by each man to the other. A diary and letter book belonging to Marian N. MacDowell (Mrs. Edward) contains draft copies of letters to Nicholas M. Butler and others relating to his controversial career at Columbia University. Also, photocopies of eight letters from the Mary Flagler Cary Music Collection at the Morgan Library. Among the numerous musical scores and sketches are his INDIAN SUITE and the SONATA TRAGICA. Also, two original drawings of MacDowell by Orlando Rowland; and correspondence, manuscripts, catalogs, and other materials relating to the MacDowell Exhibition at Columbia University in 1938.

Emily Gresser Papers, 1880s-2004, bulk 1910-1919

4 linear feet

The archive, totaling approximately 4 linear feet, comprises material ranging from scrapbooks, photographs, and correspondence, to books, theatrical scripts, and sheet music, all reflecting Emily Gresser's life in music both in the United States and abroad from the late 1890s to the 1960s, with the majority centered on her professional performing career of 1910-1919.

Fritz Reiner papers, 1916-1983

0.5 linear feet

Letters, notes, programs, photographs, and printed materials. The collection is comprised primarily of handwritten correspondence between Reiner and notable music figures including Samuel Barber, Leonard Bernstein, Aaron Copland, Lukas Foss, Darius Milhaud, Arthur Nikisch. Arnold Schoenberg, Richard Strauss, Igor Stravinsky, and Leo Weiner. Also of note, letters from writer and conductor Gian Francesco Milpiero and his wife Auna detailing wartime conditions in Italy (1946).